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Sunday, May 17, 2009

VHS firebird 'The video'.

Well Jack I'm so surprised to hear you got your hand on a copy of the Firebird. It seems to duck up in all parts of the world, I've seen the Japanese VHS-cover, there's suppose to be copies somewhere in Canada and Australia and now you've found yourself a Finish' haha , release. And I even saw some Dutch VHS-covers from Cirio's movies.

I mean, Nick and I are so desperately seeking a copy of this film for the last 25 years. How can you get us one, can you burn it a DVD or something? Costs are on me of course.

By the way I like your blog doing the war movies. Be sure I'll come and visit more often.

Bert

Saturday, May 16, 2009

Missing in Action 1 (NL)


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MIA 1
Er zou een casting zijn van een Amerikaanse producent in Manila, de werktitel van de film was: “A matter of Honour”. Meer was me niet verteld. Het was druk bij Filmore Avenue toen ik er aankwam, blanken, zwarten en Filippino's, iedereen wilde een job. Het hart zonk me in de schoenen. Zorg maar eens dat je daar tussen komt. Ik achtte de kans dat ik werd geselecteerd uiterst klein en verwachtte dus niet al te veel. In het geroezemoes had ik al opgevangen dat het een film met Chuck Norris zou worden, een Vietnam-oorlogsfilm. Dat zou verrekte leuk zijn als ik op de set een glimp van hem op kon vangen dacht ik.
Ik stond dan ook een beetje belazerd te kijken toen hij in hoogst eigen persoon naar binnen stapte met een stapeltje papieren in de hand. Dat bleken onze aanmeldingsformulieren te zijn. Vrij snel had hij al een aantal keuzes gemaakt en jongens aangewezen die door de selectie waren. Met sommigen had hij even een praatje.
Zo kwam hij steeds dichter bij mij in de buurt. Ik kreeg een hand van hem en een brede glimlach. Hij bekeek m'n papieren en las m'n CV. Hij knikte goedkeurend en zei dat ze iemand nodig hadden die neergeschoten zou worden om vervolgens door hem op de schouders genomen te worden. “You are about my hight and not too heavy”, vond hij.
Ik moest naar voren stappen en hij nam me vervolgens in de brandweergreep. Zo liep hij een paar passen heen en weer met mij op zijn rug en knikte naar zijn assistent die de gegevens noteerde.
Ik zat erbij.... Dit was heel wat meer dan de glimp die ik gehoopt had van hem op te vangen.
Ik kon een gevoel van trots niet onderdrukken dat ik zo'n beroemdheid de hand had geschut. Zesvoudig wereldkampioen karate en vermaard om zijn vechtscènes met Bruce Lee. Mijn dag kon niet meer stuk. Over een aantal dagen zouden de opnames beginnen bij, ik geloofde mijn oren niet, Pagsanjan. Daar was ik net een paar maanden weg. Daar het voor mij korter reizen was om direct van Cavite naar Laguna te gaan dan eerst helemaal naar Manila, sprak ik af dat ik op eigen gelegenheid naar de set zou komen.

Door allerlei oorzaken echter had ik vertraging en kwam te laat aan op de set, nog wel op tijd om te zien dat 'mijn' shot net werd verfilmd. Een POW ( prisoner of war ) werd door Erni Ortega neergeschoten en belandde in het water. Na diverse takes, de man viel niet mooi dood, was het dan eindelijk naar de zin van de direct. Ik kreeg een rot bui, de kans van m'n leven verziekt, het hart zonk me in de schoenen. Maar ik kreeg niet op m'n donder, ze bleken juist blij te zijn dat ik was komen opdagen. Direct werd ik naar de wardrobe verwezen en kreeg ik 'n uniform aangemeten.
Er zat tempo in, zo totaal anders dan de lokale producties die ik tot nu toe had meegemaakt. Er werd me een brancard in de handen geduwd en ik moest gaan lopen op het sein 'action'. Dat had ik vaker gehoord...
De film begint met een explosie die een boom velt. Chuck komt in beeld en wenkt naar ons ploegje. Ik flits door het beeld en het is voorbij eer je er erg in hebt. Maar het is nog niet afgelopen.
Terwijl we onder vuur worden genomen en 'Braddock' mij een signaal geeft, loop ik in zijn spoor met m'n M-16 in de aanslag.
Aan alle kanten gaat er iets de lucht in. De heli's vliegen af en aan en proberen ons uit onze benarde positie te bevrijden.
Rennend proberen we bij de toestellen te komen. Velen van ons worden neergemaaid.”
Er werden ook opnames in en rondom het Luneta-hotel in Ermita gemaakt, de E van de lichtreclame werd afgeplakt wat resulteerde in een Vietnamees klinkende naam: 'Lun ta'.
De werktitel veranderde in “Missing in Action”

( Het verhaal dat de ronde deed over Vic Morrow, die tijdens de opnames van 'Twilight Zone' twee jaar terug, werd onthoofd door een verkeerd gemanoeuvreerde helicopter en waarbij ook twee kleine kinderen werden gedood, maakte het gevoel voor gevaar heel reëel.)
Mijn laatste scène speelde zich af, nadat ik door Chuck gewenkt werd dat de weg veilig was en ik verder liep met als doel de helikopter te bereiken die verderop geland was om ons te evacueren. Tijdens de 'rehearsals' gingen er natuurlijk geen explosieven af, dus Chuck en ik konden zo ons 'parcours' verkennen terwijl de camera's en belichting werden ingesteld. Anders was het, wanneer na action aan alle kanten iets gebeurde en je voor het echie ging.
Mijn gezicht beschermend liep ik de stofwolken in en was even gedesoriënteerd, zonder bril zag ik niet zo best en door alle herrie om me heen kon ik ook niet op het gehoor de landende helikopter lokaliseren. Met de dode Vic Morrow in het achterhoofd wilde ik niet echt als een blinde in de klauwen van de rotor lopen.
Toen door de turbulentie van de wieken de rook verwaaide, en ik meer zicht kreeg, zag ik de laatste manschappen naar binnen klauteren.
Rennend en struikelend probeerde ik het toestel op tijd te bereiken, maar net op het laatste moment zag ik de ski's loskomen en had ik er eventueel nog aan kunnen gaan hangen. Onder echt vuur zou ik niet getwijfeld hebben en de sprong gewaagd hebben. Ik besloot te doen alsof ik getroffen werd en kletterde naar de grond terwijl de heli laag over de kokospalmen scheerde. Als ik er onder had gehangen had ik waarschijnlijk de toppen geraakt... Mijn beslissing werd achteraf de juiste gevonden, maar als ik het had gedaan vond men, dan was het een hoogtepunt geweest. Toch ergens jammer dat ik het lef niet had...
Eerder op de dag was er ophef ontstaan toen de mariniers een snelstromend riviertje moesten doorwaden. De oversteek was niet al te moeilijk, maar zo nu en dan kon je wegglijden van een gladde steen en even onder gaan. Sommige heren wilden daar een slaatje uit slaan en eisten gevarengeld! Er was zelfs sprake van een dreigende staking. Nadat de boel even was stilgelegd, en er gebabbeld werd, gingen de opnames gewoon door, zonder dat de eisen waren ingewilligd. Ik vond het allemaal gedoe om niks en had er niet aan meegedaan.
Een tierende Henry verkondigde dat zulke gasten niet meer voor hem hoefden te werken. “Je zult zien, straks staan ze allemaal in de rij als we een helicopterbemanning moeten samenstellen. En dan hoor je ze niet over gevarengeld, want ze willen maar al te graag vliegen!” zei hij tegen me. Om te vervolgen met: “Burt get ready, you are with the heli's”.
Ik kon het niet laten te gniffelen.
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Na deze opening schrikt Braddock wakker in zijn hotelkamer en blijken wij eigenlijk een nachtmerrie...

's Avonds zat het erop en keerde ik tevreden met onvergetelijke ervaringen op zak huiswaarts.
Ik vond dat ik 1984 met drie films op mijn naam als geslaagd mocht afsluiten. Er zouden er nog negentien volgen...
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Friday, May 15, 2009

The Firebird Conspiracy (ENG)





"Fire, Bert ."


This was actually said to me by Vittorio Romero, director on the set of the 'Firebird Conspiracy '1984. ( release 87)

At that point I realized that it was MY movie, nevermore will a direct order, including my name come closer to the film-title again. This is the M-60 MG that barbecued Mauricio's fingerprints.
I had the pleasure to play this tool again in "Born on the 4th of july" 

And the Japanese cover of the bird. Click to see and recognize Maurice handling the M-60, and see me being executed on the back (top right), While Pita shows that she has nothing to hide.


On the right: I got shot trough the mouth by Dick Israël.




The Firebird cast.Willie Williams, Nick Nicholson, Pita, Urs Hardegger, Paul Vance,  Berto Spoor, Willie Moralez, Gabby and Lenny Urso.

Part 1/5 of full movie 

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BAD LUCK AND AN ACCIDENT

I'll never forget what happened that day, it was somewhere in between Antipolo and Tanay, a road east of Manila on the northern side of lake Laguna.
We were shooting a film, titled:
The Firebird Conspiracy”.
It rained, and quite some of it, cause monsoon time was on. We were on our trip back to Manila, leaving the set. It's a mountainous area with sneaky curves and deep ravines. And when it rains, it comes with mud, lots of it. We were sitting inside a jeepney, counting approximately ten guys, we got rugged and shaken and got wed as the jeepney was open on its sides. We were not even half way as the vehicle slowly started to glide to end up in a tiny ditch in an inclined position. The mud made the jeepney steer-less and we lost all grip. The driver, a Filipino, was steering and gassing and breaking like mad, but the bloody thing refused to move an inch. We dismounted. Most of us wearing no shoes but slippers, not for long however. This foot-wear sucked into the mud and got stuck, so we ended up pushing the damned jeepney bare feet. We were still dirty from shooting that day, so what the heck, some more of that stuff did not bother us.
We got the sucker moving and jumped aboard. It did not last long, there was a poor sight, lots of traffic and a speeding driver..

The jeepney's in the Philippines are actually an extended version of the army-jeep but with its passenger entrance on the back side, en seats on both sides left and right. There are no windows, just a couple of vertical bars every half a meter. The spare tire is situated on the left hand side just behind the drivers seat”.

Exactly where I was sitting. My left arm outside, on top of the wheel, relaxed chatting with the guys around me. And then, all of a sudden there it was. For a moment I thought it was the big bang, but it appeared to be an oncoming jeepney bumping into our side.
The two spare-tires hit each other. The one I was holding my arm on got ripped of its bolts and jerked my arm along.
Holy shit, we all got mangled up, some of us really were confused and in pain, so was I. The first minute I had no feeling at all in my arm. But that changed for the worse. My fore-arm seemed to be on fire but still in one piece. My companions had similar injuries as black eyes and bruises. Nobody was to be hospitalized. We picked up the spare and continued our trip...
I had to slow down considerably to rest my arm, it took quite some time to heal. I couldn't do any stunts for over a week but the Direct seemed to understand our situation and did not push us, invalids, too much.

There were more incidents happening that were not written or mentioned in the script...


CHANGE THE PLAYERS

We (the G.I.Joe's ) had a contract for three weeks or so, but it would take for over a half year to shoot the whole damned movie.
I wasn't complaining as I was in it for over four months.....
A tension built up between June Gaillardo and one of the leading cast: Bruce Baron. This lad ( always wearing white gloves ) wanted to play first violin and constantly argued with the producers and other 'BoBo's'. Commander Beck was his part.
One time he was doing the wise guy again and June asked his advisers to come up with a plan to get rid of the guy. Nick suggested to kill him...
A mine field was prepared. Holy shit, I guess it was one or two too many, blasts allover, smoke, fire and a lot of noise. We was told to stay down for a couple of seconds and wait for clear view, Bruce was ordered to stay down just a little longer to wait the last smoke to disappear. “And cut”.

Shooting, blasting. Smoke, pain and noise..on the Japanese cover of the Bird.

June told us to take 5. We could use that to get something to drink, I mean when you're working at 40 degrees or more, (that's over 104 Fahrenheit) one needs to refill isn't it ? Of course we had noticed the friction but only realised what actually happened when Bruce got confronted with his own condolences. The script was revised and for sure, not for the last time...
June called it a wrap and we all went home. A couple of days later an new guy Steve Rogers showed up. He was suppose to be a look alike but as far as I'm concerned, he was far off. Anyway, Steve 'became' comm. Beck.

But it wasn't over yet. Vittorio Romero made his entrance, he was to direct a second unit. He and June absolutely didn't have anything in common. Anyway, he changed the script and added his view of porno. I'll remember into my grave his Hilarius performance while instructing us in his own gayish way how to react to gunfire and blasts. Like playing 'air-guitar' he acted holding a rifle while singing: Ratatatá, Ratatatá. It was funny.
Him performing a blast however almost got me one my knees as he was dancing a ballerina or fluttering a bird singing: 'Kabwow, Kabwow.' I was pretty close to wetting my fucking pants, so were the others I believe.
Later on as we were suppose to be in between two attacks, we were told to look quickly from left to right and back again while on one side a private was bambood to death and on the other side a guy got speared. O.K. I know it was to be edited, but at that very moment it felt like we were watching a tennis match. It was ridiculous.
Don't know why, but June got sacked too. I'd just started to like the guy and felt sorry. So we had to go on with Vit.
A new man showed up in Peter Barker, a good looking from England who was to play a C.I.A.-agent. I believe his character was invented that very day ! Pita Wittle, our American news reporter at large was with us from the beginning and didn't mind at all the appearance of Peter. I remember her to be very amiable.
It took some dollars for sure but Pita ended up swimming in the nude.
During one of my visits to Manila I walked in to Peter and Pita working on a Chuck Norris movie, they'd become a couple at that time and even got married not too much later.
As they wrapped early that very day I invited them to my place in Naic to spend the rest of the day at the beach. They couldn't resist. My old man, visiting me for a few months, never met 'Hollywood' before and thought himself a movie star in between Peter and Pita
The first time I met Nick Nicholson was during the takes in Fort Santiago, Intramuros.
As POW he was chained against the wall, facing the camera with his white naked ass. When the shoot was finished and Nick freed from his critical position, he turned around and showed us he was not in the nude completely. His manhood was wrapped into a handkerchief.
That's how I got to know Nick....As soon as we started shooting outside of Manila, especially in the jungle, I got to know him a lot better. 't Couldn't miss, the aroma of cannabis was covering him allover like an aura. His glassy smile told the rest.
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Being a weed lover myself I found a new mate joining (or is it jointing?) me in my smoking skills. Both we had our own home made weed pipe. Mine were two shells glued together, while his pipe was more disposable and constructed from the Marlboro aluminum cigarette foil. I also used to empty a cigarette for about half an inch and refill it with pure weed. I cannot remember ever to mix it with tobacco at that time. I do remember though Bugsy Davao, our AD, going bananas as he had to come down our place exhorting us to find an other spot to do our thing, cause the crew got stoned due to our smoke. No problem, Nick had enough “utang na loob” (credits) not to be sacked, I was pretty close to Bugsy ( I spend countless nights on his bench in Hollywood ). And Pio Lee, one of the producers, often got himself to a joint. So we were majority !!
At my last trip to Baguio I couldn't resist buying a bag of weed. I mean A BAG. So I got plenty to keep the boys going, even for half a year !!! It wouldn't surprise me at all, if after our stay at various exotic places some marijuana trees did sprout up, cause my stuff contained a lot of seeds.



I was surrounded by experienced men. Both, Nick and Willie were Vietnam-veterans and knew how to deal the scene. Willie Morales with prefix 'crazy', wanted us to believe that he originated from Mexico. He did his time in Korea and was running some chicken farm at one of the islands south of Manila at that time.
Some years later he got shot to death in Ermita by a hit and run.They never found the guy who did it. The rest of our (western)cast was less experienced. It was suppose to be a low-budget B-movie, no place for pricey stars.
Some cast were actually 'tourists' picked from the streets of Ermita. ( Sounds a nice title to a movie).
Gaby (meaning 'evening or night' in Tagalog) had a place somewhere in the RCA. We nicknamed him spaghetti a few days before he left us. You know, the food was real bad. I called it dog food and we complained about it all the time as it never got any better. One day Gaby suggested to make spaghetti the Italian way for our team.
All involved put some money to buy the ingredients and Gaby went cooking. That stuff was good, it smelled like heaven and tasted even better. Now I forgot if he didn't prepare enough food, whether we ate to much of it, but there wasn't anything left by the time Gaby wanted to serve-out.
As time went by our team got minimized. Danger was allover, behind trees, from above, from down below, everywhere VC.
Video clips click here
Booby traps, bamboo frames with sharp pins, name it and it was there. I cannot complain about my execution. I was taken POW by the VC and brought ' to justice'. I had to eat the barrel of a hand gun and after being accused I got shot through the mouth.
The preparations for this 'shot' made me feel uncomfortable, let's say I felt some butterflies....
My execution is filmed from different angles so it shows the bullet to exit my neck. A big plaster containing explosives and a little bag of blood is placed in my neck while a wire connected with a button runs down my pants to be pressed at the wright time. I curse, struggle and spit towards the camera while anger, hate and fear to death is to be expressed on my face.”
Well, I guess fear was there without acting as I wasn't happy at all with firecrackers in my neck. As a matter of fact it wasn't too bad, I got buzzing ears though and a good feeling afterwards.

I was infected with the movie fever







The start

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Often people look at me with unbelief in their eyes when they learn I appeared in several movies. Even more when I mention a number of A-film titles, like American Ninja, Platoon, Hamburger Hill or Born on the 4th July. Just only when photo's and other evidence show up I am to be taking seriously and their unbelief changes into surprise .... And of course I'm pushed to tell movie-stories and asked how I got involved with the production of more than 20 films. Most of the time it comes to some anecdotes on my meeting with Hollywood celebrities.
Half a year of shooting the Firebird, three movies with Chuck Norris, while weeks on the set with Tom Cruise and Willem Dafoe only add material to a nice story.
The circumstances and events all over, offered me a great background to colour my story and make it a small adventure. Long forgotten papers and stored photo's refreshed my somewhat greyed memories. Old letters brought things back to life and inspired me to test my new typing device and to compiled my story with a number of pictures.
I choose for 'A Dangerous Life' because it was the working title of 'The 4-day Revolution' but as well as working on the film sets is not without any danger.
Bert Spoor aka Bert Enrico Spoor aka Berto Spoor.
march 21- 2009, B.E. Spoor